“Historically, ‘of course’ is not what I usually hear in response to that question.” He keeps his tone ironic to mask the way his throat tightens around the words.
He doesn’t quite flinch. The implication of a flinch is there. His expression as he looks at Malcolm is shifting, though, to a guarded longing. He can see why he would want to be with this man. He can see how it would be easy to get caught up in his orbit.
He pauses, then says, “I didn’t lie to you when we met? Pretend to be somebody else?”
“You didn’t even know that I saw you,” Malcolm points out. He assumes Neal specifically means this act of kindness he saw. “You did try to shrug it off, but… I saw it.”
“I didn’t… I didn’t meet you on your first day here or anything.” Does that make a difference to whatever expectation Malcolm is failing to meet here? “You didn’t even want to go out with me for, like. Months.” Maybe he never will again. Malcolm goes quiet and looks down at his lap, flexing his hand, clenching it again, then flexing and clenching.
"Hey." He sets the tea aside and takes Malcolm's restless hand between both of his own. This is easy, responding to this insecurity, this hesitation. He's good at making people feel good. Always has been.
"I just. Don't tend to tell people who I am the first go-around. That's all."
A pause, then he adds, "Glad I got my head out of my ass though."
A little knot of guilt wads itself down in the base of his stomach, right next to the anxiety at the idea that he doesn't know Malcolm but Malcolm... sees him.
I truly don't believe that you'd do anything knowing someone would get killed because of it.
Malcolm's voice, firm and gentle, but Neal has no context to go with the sentence. He lets go of Malcolm's hand and presses his fingertips to one temple, that uneasy wonder on his face again. He looks at Malcolm, nakedly fearful this time, though it doesn't last in his expression for more than a moment. "Good at squash and axe throwing, bad at pool and bowling. I don't remember why I know that."
“I told you. I told you that about me. Are… do you remember fragments?” he asks. Is his voice too hopeful? Does that put too much pressure on him? Malcolm tries to rein it in, but he’s never been able to control his emotions well.
“Sorry. I just. Have missing time, too. From when I was a kid. But sometimes fragments of memories come back.”
"I remember you telling me something. Or I remember your voice saying it, at least."
He feels weirdly anxious and self-conscious over admitting to what he remembers. Or half-remembers. "It's like little bits of dialogue on a black screen."
“I don’t… want to push you or make you uncomfortable,” Malcolm starts as a caveat. “So I just really want you to be honest about what… you feel and what you…. want.”
“So….” Malcolm reasons, “you just want to wait it out?” He pauses. “You’ve been staying here quite a bit. With me. Probably you… want to… put a pin in that until after, right?”
Stay with Malcolm, who sees him too clearly. Stay in the medical unit, where screaming people are being brought in to forget themselves. Stay in “his” apartment, with more strangers who might know more than he’s comfortable saying again.
“I might remember faster if I stay.”
He sounds as certain as he feels.
A pause, then something else registers. “Not that you have to play babysitter if you don’t… I can stay at my place.”
"No," he says quickly. "I want you to stay. Of course I want you to stay, I l..." His voice trails off and he looks at his teacup on the coffee table instead of at Neal. "I would like it if you stay. You can have the couch if you want."
Neal's eyes go wide. A yawning pit opens up in Neal's stomach and he tries not to jump off the couch and bolt for the door.
That aborted l-word was not like. The cadence, the weight of it, no--a different vowel was to follow.
"Do you know what happened to Keller?" His voice is soft. "Did I tell you? He's dead. I got him killed. Before him, Rebecca, and before Rebecca, a woman named Kate. Only one person I've ever loved hasn't died or gotten hurt because of it, and that's because she left."
Which leaves out the nuances of it, but the nuances don't matter right now.
I know, Malcolm says. Like it's nothing. Like that blood-soaked track record doesn't even factor in.
That look in Malcolm's eyes is heartbreaking, but it also scares Neal so, so badly. He can't do this. He can't be allowed to do this, to care this much, even if he doesn't remember the feelings. He won't be able to take it if he gets someone else hurt.
Except if he leaves, he's clearly going to hurt Malcolm more deeply than he ever wanted the power to wound anyone again.
"What could I possibly have done to make the risk worth it to you?"
He doesn't mean to ask the question, really. But there it is.
“I…” Neal keeps staring, baffled, though there’s the phantom feeling of a blade sinking into his neck—how does he know that’s what it is?—and he jerks his hands up to touch his throat. Heart pounding. Confusion clear.
Neal squeezes his eyes shut. Forces himself to focus, to ignore the feeling that makes him positive he’s about to go careening over some mental deep end.
He clears his throat before focusing on Malcolm again. “If you mean all the… the…”
A gesture that vaguely conveys supernatural. “If you mean all of that, it seems like that’s baseline around here.”
That’s not a lie. He lets his hands rest in his lap, instinct making him want to hold Malcolm’s hand, but he practically recoils from his own mental impulse. How can he care about someone he doesn’t remember this much? Is that what it is, this anxiety, this brutal mix of longing and terror?
Use it, his survivor-self hisses. Use the feeling, if you can’t avoid having it.
no subject
no subject
no subject
He pauses, then says, “I didn’t lie to you when we met? Pretend to be somebody else?”
no subject
no subject
He stops awkwardly. Kate, Alex, Sara, Rebecca... even Keller, really. They all started with a lie. "I mean did I try to use you for something."
Neal grimaces as soon as the words are out.
no subject
“Wh… like what?” he asks. Then immediately says “No. Um. You made a comment about the state of my wardrobe?” Close? No?
no subject
He picks up his tea and actually takes a drink to buy himself some time.
no subject
no subject
"I just. Don't tend to tell people who I am the first go-around. That's all."
A pause, then he adds, "Glad I got my head out of my ass though."
no subject
At Neal’s explanation, he smiles a little bit, but hopefully.
“Everyone wants someone to see them. Maybe I just… wasn’t scary.”
no subject
I truly don't believe that you'd do anything knowing someone would get killed because of it.
Malcolm's voice, firm and gentle, but Neal has no context to go with the sentence. He lets go of Malcolm's hand and presses his fingertips to one temple, that uneasy wonder on his face again. He looks at Malcolm, nakedly fearful this time, though it doesn't last in his expression for more than a moment. "Good at squash and axe throwing, bad at pool and bowling. I don't remember why I know that."
no subject
“I told you. I told you that about me. Are… do you remember fragments?” he asks. Is his voice too hopeful? Does that put too much pressure on him? Malcolm tries to rein it in, but he’s never been able to control his emotions well.
“Sorry. I just. Have missing time, too. From when I was a kid. But sometimes fragments of memories come back.”
no subject
He feels weirdly anxious and self-conscious over admitting to what he remembers. Or half-remembers. "It's like little bits of dialogue on a black screen."
no subject
no subject
Dismissive of his own emotional needs? Neal Caffrey? Never.
no subject
He assumes.
no subject
What are his options here?
Stay with Malcolm, who sees him too clearly. Stay in the medical unit, where screaming people are being brought in to forget themselves. Stay in “his” apartment, with more strangers who might know more than he’s comfortable saying again.
“I might remember faster if I stay.”
He sounds as certain as he feels.
A pause, then something else registers. “Not that you have to play babysitter if you don’t… I can stay at my place.”
no subject
no subject
That aborted l-word was not like. The cadence, the weight of it, no--a different vowel was to follow.
"Do you know what happened to Keller?" His voice is soft. "Did I tell you? He's dead. I got him killed. Before him, Rebecca, and before Rebecca, a woman named Kate. Only one person I've ever loved hasn't died or gotten hurt because of it, and that's because she left."
Which leaves out the nuances of it, but the nuances don't matter right now.
no subject
“I know. If you don’t start to remember the past few months are you going to leave?”
no subject
That look in Malcolm's eyes is heartbreaking, but it also scares Neal so, so badly. He can't do this. He can't be allowed to do this, to care this much, even if he doesn't remember the feelings. He won't be able to take it if he gets someone else hurt.
Except if he leaves, he's clearly going to hurt Malcolm more deeply than he ever wanted the power to wound anyone again.
"What could I possibly have done to make the risk worth it to you?"
He doesn't mean to ask the question, really. But there it is.
no subject
no subject
Neal squeezes his eyes shut. Forces himself to focus, to ignore the feeling that makes him positive he’s about to go careening over some mental deep end.
He clears his throat before focusing on Malcolm again. “If you mean all the… the…”
A gesture that vaguely conveys supernatural. “If you mean all of that, it seems like that’s baseline around here.”
no subject
“Not that. I mean, it is. But.” He waves it off. “It doesn’t matter.” He swallows. “I’m sorry.”
no subject
Focus.
If you can’t be objective, be mercenary.
“No,” he says softly, “no, it does matter.”
That’s not a lie. He lets his hands rest in his lap, instinct making him want to hold Malcolm’s hand, but he practically recoils from his own mental impulse. How can he care about someone he doesn’t remember this much? Is that what it is, this anxiety, this brutal mix of longing and terror?
Use it, his survivor-self hisses. Use the feeling, if you can’t avoid having it.
“Tell me?” It’s very tentative.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)