Malcolm Bright (
abrightboy) wrote2019-11-06 09:10 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
The Lengths That I Would Go To
The killer was moving around the country. Malcolm Bright could see the pattern, but he wasn't working for the FBI these days and they weren't exactly taking his calls. Short sighted of them, but they did fire him on suspicion of being crazy. The NYPD's jurisdiction was New York. With the killer beyond its borders, they handed it upwards and left it at that.
Let it go, Bright, had been Gil's sage advice. You can't catch every killer in America single-handedly.
Challenge accepted, some part of him retorted, though he'd only nodded mutely and forced a smile. Gil knew he hadn't simply let it go, but he wasn't going to have him followed to stop him doing anything stupid, either. He didn't have the will or the resources to keep tabs on Malcolm Bright 24/7 and Malcolm Bright knew it.
His mother, on the other hand, had extensive resources, so he simply didn't tell her he was leaving town. He did arrange for Ainsley to feed his bird, so the truth would come out eventually, but he'd be several states away by then.
He rode the bus. There was something oddly comforting about the anonymity of being in a crowd of strangers who had no interest in him whatsoever. He stared out the window and watched the country go by. When he stepped off the Greyhound in Lexington, Kentucky, he walked to a nearby hotel and checked in, then headed straight to the US Marshals office. There was no point in trying to talk to the FBI. If he was going to stop a killer from killing again, he needed someone in law enforcement to listen to him. The pattern suggested the next murder would happen in one of the rural communities around Lexington and it would be precipitated by a young woman's disappearance. He needed law enforcement with local knowledge, specifically.
He wandered into the Marshals' offices in a tidy three piece suit, charcoal grey with a burgundy tie perfectly knotted at his collar. He got a few suspicious sidelong glances but nobody asked if they could help him. He cleared his throat.
"Um, hello? I'm wondering if there's anyone here I can talk to about murder." He held up his hands. "Stopping murder, specifically, not... like... smalltalk."
Let it go, Bright, had been Gil's sage advice. You can't catch every killer in America single-handedly.
Challenge accepted, some part of him retorted, though he'd only nodded mutely and forced a smile. Gil knew he hadn't simply let it go, but he wasn't going to have him followed to stop him doing anything stupid, either. He didn't have the will or the resources to keep tabs on Malcolm Bright 24/7 and Malcolm Bright knew it.
His mother, on the other hand, had extensive resources, so he simply didn't tell her he was leaving town. He did arrange for Ainsley to feed his bird, so the truth would come out eventually, but he'd be several states away by then.
He rode the bus. There was something oddly comforting about the anonymity of being in a crowd of strangers who had no interest in him whatsoever. He stared out the window and watched the country go by. When he stepped off the Greyhound in Lexington, Kentucky, he walked to a nearby hotel and checked in, then headed straight to the US Marshals office. There was no point in trying to talk to the FBI. If he was going to stop a killer from killing again, he needed someone in law enforcement to listen to him. The pattern suggested the next murder would happen in one of the rural communities around Lexington and it would be precipitated by a young woman's disappearance. He needed law enforcement with local knowledge, specifically.
He wandered into the Marshals' offices in a tidy three piece suit, charcoal grey with a burgundy tie perfectly knotted at his collar. He got a few suspicious sidelong glances but nobody asked if they could help him. He cleared his throat.
"Um, hello? I'm wondering if there's anyone here I can talk to about murder." He held up his hands. "Stopping murder, specifically, not... like... smalltalk."
no subject
"Art should have already reached out to Lieutenant Arroyo about it - we try to not come in stepping on toes. That and we could use the help and knowledge of the locals.. If anyone can be called that with how big this place is. You could fit 4 or 5 Miami's in here."
As he spoke, his eyes continued to wander around the kitchen, easily getting caught on the line of pill bottles and the small card holder of affirmations. That was a few more bottles than he'd thought. Still, he reached out a finger and pulled the affirmations closer, plucking one of the cards out.
"Whatever I do today is enough," he read, flipping the card over with a thoughtful little grunt. "These the daily affirmations you were talkin' about?"
no subject
"Yeah. Yeah, my therapist gave them to me."
A beat.
"You've already been in touch with Gil?"
Gil hadn't called Malcolm.
no subject
"Art has but we just got in. Quarles didn't give us much notice, so we're flying in a little blind up here. It's not big enough for the FBI for some reason. I'm sure you'll hear from him soon. And if not, well, you already know, what's one more ride along."
no subject
He made a sort of vague gesture towards the half moon window and, thus, the city with his teacup. "Did you really just arrive, then?"
no subject
Raylan couldn't help but glance over at the window. So it was the one he'd seen from outside. Of course, from there, he could take in the bed on its raised little dias, complete with restraints. There was no stopping the faint lift of his eyebrows.
"How long you been at this place?"
no subject
"About six months, now," he estimated, looking around the room. "But I brought most of this from my apartment in DC."
no subject
He had to find a different topic.
"Didn't see many Motel 6's here - where do people stay? I get to forward the bill to the office but they frown on us spending a Kings fortune."
no subject
He took a sip of tea at Raylan's next question.
"I'll find you somewhere to stay," Malcolm told him. He was sure someone at the station would know the best budget places to stay.
no subject
no subject
no subject
"Though I suppose it's nice that she's here to care."
no subject
He took a sip of tea.
"Mostly the restraints keep me out of trouble," he assured the marshal.
no subject
"And falling out the window demands a little screaming."
no subject
no subject
no subject
no subject
no subject
"When you can't sleep, it's nice to have a view," he said, gesturing towards the window. "But they're not that bad every night. Most of the time." He took a sip of tea and then perked up suddenly. "Oh, hey, want me to go with you to the precinct? I could introduce you to Gil."
no subject
"I am sure that Art would appreciate it. Man's convinced I'm going to fall into a bar or a gunfight in the middle of the day for some reason. Might find myself in Queens at Quarles's Daddy lives. Maybe they'll have found a decent hotel."
no subject
no subject
"Nah, I wouldn't wanta put you out." He glanced over at the couch. "Doesn't much look like a couch that's the type for sleepin' on. More like sipping port or something." It was purely Southern Politeness - you never accepted those kinds of invitations on the first offer. The truth of it was that Raylan would have liked to stay, but that was something friends with a capital F did and Raylan wasn't sure if he counted as a guy who'd only met Malcolm a few times.
Yes, it was slightly hypocritical, but you can take it up with the South.
no subject
"...Really?" He hadn't considered whether it was a sleep appropriate couch. "I haven't slept on it," he confessed. "Because I can't. No restraints. But it's pretty soft to sit on?" He set his tea down and walked over, sitting on it heavily, so he bounced. "How can you recognize whether a couch is sleep-suitable?" he asked, thoroughly distracted by these logistics. He hadn't really had capital F friends. Raylan could maybe teach him how to recognize those too.
no subject
At Malcolm's question, Raylan grinned and slipped back onto his feet to amble over and stand nearby.
"You sleep on enough couches, you can spot ones that aren't broken in. That thing is probably more expensive than my car. I'm going to devalue it by gracing it with the back of my jeans."
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Good transition into next 'scene'?
Indeed!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...