"B's taking care of him. He didn't like the blood smells, which. Can't blame him." Neal glances toward the birdcage, realizing for the first time that it's not decorative. "...You have a bird?"
“At home I do,” he says wistfully. He looks at Neal again. “I’m not trying to be in hospitable. Just the last time this happened, I found laying on the floor conserving energy kept me alive long enough to escape.”
“I was shackled to the floor. He was going to kill my family. I had to break my hand. He lifts his left hand, flexes it in front of his face. The cuff was three inches. I broke my first metacarpal bone, so my hand would be three inches, too,” Malcolm explains.
“Yeah. It was easy. He was claustrophobic. Like me. From being locked in a closet as a kid. Like me. I hit him with a crowbar and locked him in a box. Neutralized.”
He looks over. “Psychology. See? He was a dangerous psychokiller, but I didn’t need lethal force to defend us. I saw him. He sat in that basement and talked to me for hours. He thought he was teaching me, but I was learning him.”
"Like you." Neal's stomach turns over a little at the idea of Malcolm being locked in a closet. That's another thing to add to the list of questions. First, though, he drags himself to his feet, wincing a little, and he goes to get the other man some water.
He sits back down and tries to ease Malcolm up enough to drink some. "Why... Why did he take you? Why did he want to hurt your family? Did they know he had you down there?"
When Neal starts easing him up, he puts a hand tightly over his wound, but he manages a couple sips of water before choking a bit on one.
“He worked with my father before he was caught. He wanted me to take his place. He wanted to mentor me the way my father mentored him. Nobody knew where he took me. Until I escaped, the only people who knew about the tunnels were him and my father.”
“It was a ritual, for him. If I passed the trials, then he could teach me how to be like him,” Malcolm explains. “It was also revenge. Apparently I stabbed him when I was ten.”
"Good for your ten year old self," Neal mutters. He chews the corner of his lip. "Why do you think this showed up? This injury? Why not... I don't know, your hand?"
“I’d seen too much. The chloroform was losing efficacy,” he recites miserably. “He told me they took me on the camping trip to kill me.” Dull eyes look to meet Neal’s. “My father wanted to kill me.”
It's worse than Neal expected, somehow. Yeah, sure, Malcolm's dad is a serial killer. He never kept that a secret. But Neal knows. He knows what it's like, to want something more from a man who won't give it. He knows what it's like to be betrayed. The look on his own father's face the last time they saw each other, the threat of violence hanging in the air-- Neal bites his lip.
"I'm sorry." He blinks a few times to keep himself from getting too obviously emotional, clears his throat, ignores the ache of the gunshot wound that comes with the use of those muscles. "I'm sorry."
"She was looking for the Hope Diamond's lost twin," he admits. "Well. We were, I guess. A man named Mosconi hid it, once upon a time, and left clues to its whereabouts in case of his death. Which happened, predictably enough."
“That’s just where she shot me.” Except he can’t even believe himself. “…Everyone kept saying at the end that she really loved me. That she really must be in love, that she wanted to stay, to be the alias she made for me. But if that’s true she wouldn’t have taken the shot.”
“Why not? That’s exactly what some people do. If there was no way to stay with you, why should she let anyone else have you? But that’s not what I asked,” he points out. “I didn’t ask how she felt about you.”
“You always deflect. Redirect. Does that usually work because you’re pretty and charming?” Malcolm asks curiously, easing himself back down onto his back, but still watching Neal’s face.
no subject
no subject
no subject
no subject
no subject
If it came down to saving someone or hurting himself that way, though. It wouldn't be much of a choice. "You saved them, right? Your family?"
He'll get to the who from in a minute.
no subject
He looks over. “Psychology. See? He was a dangerous psychokiller, but I didn’t need lethal force to defend us. I saw him. He sat in that basement and talked to me for hours. He thought he was teaching me, but I was learning him.”
no subject
He sits back down and tries to ease Malcolm up enough to drink some. "Why... Why did he take you? Why did he want to hurt your family? Did they know he had you down there?"
no subject
“He worked with my father before he was caught. He wanted me to take his place. He wanted to mentor me the way my father mentored him. Nobody knew where he took me. Until I escaped, the only people who knew about the tunnels were him and my father.”
no subject
no subject
no subject
no subject
“Because… that’s when I found out.”
no subject
And he's curious.
"When you found what out?"
no subject
no subject
"I'm sorry." He blinks a few times to keep himself from getting too obviously emotional, clears his throat, ignores the ache of the gunshot wound that comes with the use of those muscles. "I'm sorry."
no subject
no subject
A pause, then, "How are you feeling?"
no subject
no subject
"I don't know." He doesn't want to have loved her. He doesn't want to be in love with her, still.
no subject
no subject
no subject
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)