"I mostly read philosophy and history, which is...I mean, I like it, but it's kind of in the 'for work' category. For fun, for - stories that just make me happy, it's more video games? And cheesy romantic dramas. There's one game, Lapidary Sky, that's really - it's a big time commitment, you kind of play as a whole clan back in the pre-mothdrive era, wandering the stars and looking for a good place to live. You might like it, though."
"I could try that. But... 'philosophy and history textbook' doesn't put me off of a book, either," Malcolm tells him. "What... do you need to play that game?"
“I do remember James. He came to me for counselling. I guess I knew you were his Warden, but I didn’t actually know you at the time, so you were sort of a portrait with no face,” Malcolm remarks.
"Well, once you've sent out marriage invitations, people have a pretty good idea how to hurt you. Locking the barn door after the cows are out, and all that," Jedao says dryly, not noticing what a weird phrase it is for someone who has never seen or even thought about a barn.
"Oh...I depend that depends on how expansive your idea of 'damage' is. Just as much of it is...not about concealing information as much as controlling the flow of it. You need never unsay something you did not say in the first place, and all that. I want to be able to decide how I present myself when I'm interacting with someone, rather than not having any idea what they have and haven't heard me say to someone else entirely on the network."
Jedao thinks about it. His first instinct is that it doesn't feel like anything, that it's a different process, that it happens somewhere else. But he isn't sure how to say that.
"I've never not done it. When I was - my first couple weeks of being alive, that I can remember. I had to hide from my troops that I didn't know what I was doing, and I had to hide from the man who made me that I was plotting against him. And when I did let anything slip, people died for it. So...it's just something I always have to think about, like a clock ticking in the corner of the screen. Like playing one of those video games where you have like twelve little counters you've got to balance. And as long as you keep them balanced, it's not stressful, exactly. It's just things to account for. A little puzzle that it's even kind of fun to be good at, sometimes. But you do have to be meticulous, because you only have to fuck it up once."
"No. I'd be scared all the time that I was fucking things up - or, if I wasn't, I guess I'd rather know what's coming for me than feel fine and not know. I like...especially now that I'm here, where not everyone knows Shuos Jedao first, I like the freedom of choosing how to approach someone, instead of having my best or only tactic be to lean in to the way they already think of me. There are people who see more sides of me, or all sides of me, but I get to choose who, and when. Who's earned that kind of trust. I admire people like that - the Irises and Eiffels and Trevors, who are flagrantly and unflinchingly themselves at all times for all comers. I think that lets them do things I can't do, sometimes, and I think they're...important elements to have, in a community about new perspectives and change. But I don't think their strategy is right for me, and I don't want it."
Sometimes, when he looks through old footage, it almost seems like Shuos Jedao managed to do both at once, which breaks his brain a little and does make him jealous, but that also might just be - everything about Jedao One. And even he couldn't make it work all the time.
“Will says he likes that about me. The way I’m unapologetically myself. But… it doesn’t charm the population at large like it does with Iris and Eiffel. …It doesn’t even work with Eiffel,” Malcolm muses.
"Nothing charms the population at large. That's why being able to use different approaches with different people is so powerful," Jedao explains.
It's literally 101 stuff - Jedao has audited most of Shuos Academy's classes at this point, although he didn't learn anything in Intro Interrogation that he didn't basically already know, on an instinctual level - but it's not Malcolm's fault that he's an Earth barbarian with some kind of congenital blind spot about it.
“Iris and Eiffel charm the population at large by being authentic,” Malcolm says. “And I can’t seem to help being myself, it just… it feels good with Will because he likes it,” Malcolm says. “Doesn’t… being different with everyone feel fake, though? When do you feel like… you’re you?”
"I didn't like Iris at first," Jedao admits. "We still aren't really close, even though she considers me family."
It's complicated and kind of uncomfortable for him, even though he appreciates - a lot of things about her. Even though he's willing to rely on her for things he needs. Which makes him a typical ungrateful child, he supposes. He pulls a leg up onto the couch, wraps an arm around his own folded knee, a self-protective, uncertain gesture. It makes him look younger.
"I think a lot of people actually find her overwhelming, we're just quieter about it." But she and Eiffel do - connect to people, just by being kind, being earnest, being full of energy and joy, by accepting people where they're at. All of which it's possible to do inauthentically, if you're skilled enough, but they don't.
"I feel like the real me is - cautious, observant, and strategic. I don't need other people to see the real me to be the real me. The real me is a very good liar, when I decide it's necessary. But also...I'm not necessarily being fake, either. It's like I have different facets, and...I'm just picking the right one to start with. Or sometimes I'll act in a way I never have before, but mirroring someone feels like getting to learn a new language. Growing, not faking."
Bantering with Roman had felt like that.
"I like having people I can trust with everything too, but...not because I get to be real with them, just because they're good? Because that's better than always being alone?"
“If people you interact with and then develop friendship with don’t see the real you, then how can they like the real you? “ Malcolm asks. “If something comes out later, don’t they feel like you were hiding it?”
"It's not...opposite? It's not fake, just - calculated. It's like...one side. And when they see more, they feel like they earned my trust. And I'm earning theirs too, hopefully. That's how friendships usually work, I think."
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He bites his lip for a second.
"And - what's your favorite book? Or - something like that. I'll read it and we can talk about it. In friend times."
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"The Count of Monte Cristo. By Alexander Dumas. They definitely have it in the library. What's yours?"
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"I mostly read philosophy and history, which is...I mean, I like it, but it's kind of in the 'for work' category. For fun, for - stories that just make me happy, it's more video games? And cheesy romantic dramas. There's one game, Lapidary Sky, that's really - it's a big time commitment, you kind of play as a whole clan back in the pre-mothdrive era, wandering the stars and looking for a good place to live. You might like it, though."
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Which is what they call ipads in space.
"And I of the Earth philosophy I read, I really liked Baruch Spinoza."
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Since James was close with Raylan who was close with Neal -
"He was my first inmate, and it was important that I understand the - cultural ideas he lived with, discovered, fought against."
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"Like letting people know you exist and have feelings and stuff?"
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"I've never not done it. When I was - my first couple weeks of being alive, that I can remember. I had to hide from my troops that I didn't know what I was doing, and I had to hide from the man who made me that I was plotting against him. And when I did let anything slip, people died for it. So...it's just something I always have to think about, like a clock ticking in the corner of the screen. Like playing one of those video games where you have like twelve little counters you've got to balance. And as long as you keep them balanced, it's not stressful, exactly. It's just things to account for. A little puzzle that it's even kind of fun to be good at, sometimes. But you do have to be meticulous, because you only have to fuck it up once."
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"No. I'd be scared all the time that I was fucking things up - or, if I wasn't, I guess I'd rather know what's coming for me than feel fine and not know. I like...especially now that I'm here, where not everyone knows Shuos Jedao first, I like the freedom of choosing how to approach someone, instead of having my best or only tactic be to lean in to the way they already think of me. There are people who see more sides of me, or all sides of me, but I get to choose who, and when. Who's earned that kind of trust. I admire people like that - the Irises and Eiffels and Trevors, who are flagrantly and unflinchingly themselves at all times for all comers. I think that lets them do things I can't do, sometimes, and I think they're...important elements to have, in a community about new perspectives and change. But I don't think their strategy is right for me, and I don't want it."
Sometimes, when he looks through old footage, it almost seems like Shuos Jedao managed to do both at once, which breaks his brain a little and does make him jealous, but that also might just be - everything about Jedao One. And even he couldn't make it work all the time.
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It's literally 101 stuff - Jedao has audited most of Shuos Academy's classes at this point, although he didn't learn anything in Intro Interrogation that he didn't basically already know, on an instinctual level - but it's not Malcolm's fault that he's an Earth barbarian with some kind of congenital blind spot about it.
"Do you think it's true? That you do that?"
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It's complicated and kind of uncomfortable for him, even though he appreciates - a lot of things about her. Even though he's willing to rely on her for things he needs. Which makes him a typical ungrateful child, he supposes. He pulls a leg up onto the couch, wraps an arm around his own folded knee, a self-protective, uncertain gesture. It makes him look younger.
"I think a lot of people actually find her overwhelming, we're just quieter about it." But she and Eiffel do - connect to people, just by being kind, being earnest, being full of energy and joy, by accepting people where they're at. All of which it's possible to do inauthentically, if you're skilled enough, but they don't.
"I feel like the real me is - cautious, observant, and strategic. I don't need other people to see the real me to be the real me. The real me is a very good liar, when I decide it's necessary. But also...I'm not necessarily being fake, either. It's like I have different facets, and...I'm just picking the right one to start with. Or sometimes I'll act in a way I never have before, but mirroring someone feels like getting to learn a new language. Growing, not faking."
Bantering with Roman had felt like that.
"I like having people I can trust with everything too, but...not because I get to be real with them, just because they're good? Because that's better than always being alone?"
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That’s been his experience.
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"It's not...opposite? It's not fake, just - calculated. It's like...one side. And when they see more, they feel like they earned my trust. And I'm earning theirs too, hopefully. That's how friendships usually work, I think."
It can't all be assassinations gone wrong.
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